The Tributary, an annually published literary journal edited by students at Lycoming College, released its 2022 issue. This year, the journal, comprised of student prose, poetry, and artwork, is available in print as well as online with The Tributary’s new online presence. Along with this new medium, the journal will be implementing new changes over the next year, including opening up to national undergraduate submissions and establishing pay for student submissions.
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In her book Stormy Weather: The Music and Lives of a Century of Jazzwomen, Linda Dahl writes: “Researching many of the women’s contributions to jazz is like what I imagine collecting butterflies to be—you go out with your net to many a remote, even secretive spot to track your shy and elusive quarry.”
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Lycoming College welcomes Zachary Lesser, Ph.D., as this year’s guest speaker for the James and Emily Douthat lecture series. Lesser’s presentation, “Before the First Folio: Who Was Shakespeare in 1619?,” will take place Thursday, Oct. 28, at 7:00 p.m. in the Academic Center, D-001 with a reception to follow. The event is free and open to the public.
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“I’ve always felt a little bit outside of any club,” explains writer/singer Angela Carole Brown, “living on the fringes, not really doing things in the way that would be expected of me as a woman, as a black person, as an artist.”
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“I think we tend to extricate things from broader and larger contexts,” explains music and literature scholar Farah Jasmine Griffin. “If you’re talking about any musical form—whether it’s jazz or bebop, specifically, or hip hop—the music tends to be a part of the culture.”
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The Tributary, Lycoming College’s annually published literary journal, recently published its 2020 issue. This year, the professionally bound journal features prose, poetry, and art from more than 20 different Lycoming students.
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“One wishes things were better, but one has to tell the truth,” said the late literary scholar Harold Bloom in a 2003 interview with jazz expert Tom Reney. “That’s why I have so many enemies.”
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In regard to his book, “What a Wonderful World: The Magic of Louis Armstrong's Later Years,” Ricky Riccardi, director of research collections for the Louis Armstrong House Museum, said, “I wanted anybody to be able to pick it up and be engaged… You don’t need to be a musicologist; Armstrong’s life alone was dramatic enough: race, failing health, all the accomplishments, the humorous anecdotes — that was enough.”
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“[Jazz] was just there [during my childhood], so it was like breathing: inhaling and exhaling,” Wesley Brown explained in the most recent addition of Brilliant Corners.
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Lycoming College recognized two faculty members with teaching awards at this year’s Honors Convocation, held at Williamsport’s Community Arts Center.
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"He sprinkles stardust on whatever song he plays; you hold your breath in wonder."
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Creative Writing and English Literature major Samuel Novoa ’20 (Byram Township, N.J.) recently had a poem selected for publication in The Allegheny Review. Now entering its 34th year of publication, The Allegheny Review is one of the few literary magazines nationwide dedicated exclusively to undergraduate works of poetry, fiction, creative non-fiction, and artwork. Published annually, the periodical showcases some of the best literature the nation’s undergraduates have to offer.
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John P. Graham Teaching Professor Gary R. Hafer, Ph.D, takes teaching to the next level with his theories on assignment writing. In collaboration with his colleague Maryellen Weimer, Ph.D., Professor Emeritus of Teaching and Learning at Pennsylvania State University, Hafer wrote a series of articles to be published bimonthly in The Teaching Professor through May 2019.
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In an interview conducted for the most recent issue of Brilliant Corners, Maxine Gordon characterizes jazz as a complex and uniting art form, honoring specifically the memory of her late husband, Dexter Gordon. Sascha Feinstein, Ph.D., Robert L. and Charlene Shangraw Professor of English at Lycoming College, managing editor of Brilliant Corners, who conducted this interview in Dennis, Mass., on Aug. 16, led an insightful discussion exploring Gordon’s introduction to the jazz world, Gordon’s experiences with her husband, the publication of Gordon’s biography about her husband, and her opinions of jazz writing.
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Lycoming College’s Shanna Powlus Wheeler, director of the writing center and instructor in the English department, recently authored her first full-length collection of poetry, “Evensong for Shadows,” published by Resource Publications. The follow-up to her chapbook titled “Lo and Behold,” published with Finishing Line Press in 2009, the book includes sixty original poems and is divided into four sections titled “Evensong for Shadows,” “A Choir of Cells,” “The Music of the Spheres,” and “Ring of Vowel.”
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