The Lycoming College Art Gallery and the student-run Lycoming College Downtown Project Space are both located at 25 West Fourth Street in downtown Williamsport. Some exhibitions are housed in both spaces. Our window video gallery is viewable from outside the gallery from 6 p.m.-2 a.m. The gallery is closed during academic breaks.
The A-Dressing the Future series looks at the worlds of adornment and language in a dystopian scenario of survivors, where the fragility of life is more evident, words melt and grow while the need for beautification and status persists. This work questions our dependency on language and our conviction of its certainty. It also dresses the survivors of this dystopian future in plant-based garments that epitomize the resourcefulness of future creatives in the face of material shortages.
This series of photographs is the culmination of 10 years of ephemeral installations and photography that values the pathos in decay. The photographs are arranged to simulate a magazine layout but the columns of text have been left blank. This is the work of a mad editor who decides to revive the printed page into a post apocalyptic montage of images.
Dextras was an Artist-In-Residence at Lycoming College September 20-27, 2015.
Her art practice is based in social interventions and environmental installation, rooting nature to our everyday urban experience. She has exhibited her work in widely in Canada, the USA, Europe and in Asia. Recent projects include the Landesgarten Show in Germany, the Eco Art Fest in Toronto, WinterJourney art residency in Banff and Ego-Eco at the Begovich Gallery in California.
For more information, please visit Dextras' website.
In conjunction with Homecoming 2015, the Lycoming College Art Gallery is pleased to present a retrospective exhibition, showcasing 50 years of creative work by Professors Emeriti, Jon Bogle and Roger Shipley. Both artists continue to produce artwork, exhibit, and draw national attention in retirement.
Jon Bogle did his MFA graduate work in sculpture at Temple University’s Tyler School of Art in Rome, Italy. He taught sculpture, figure modeling, and drawing at Lycoming for 26 years. Bogle has exhibited his work widely, including exhibitions in Rome, Italy, Kyoto, Japan, New York City, Philadelphia, Washington, DC, Santa Fe, and San Francisco. His commissioned/public works include: Weather Vane sculpture for the Roberto Clemente Playground, Philadelphia, PA; Aluminum Wall Relief sculpture, for the Corporate Headquarters of Reliance Insurance Company, Philadelphia, PA; Cast Aluminum Fountain sculpture for the Philadelphia Redevelopment Authority, Philadelphia, PA; and Paley Library Courtyard at Temple University, Philadelphia PA.
The diversity of my works in this retrospective is the result of having a charmed life as an artist. Because I was secured by my teaching, I could always follow my enthusiasms. Whenever I felt my work growing stale, I would move to the new interest. These shifts were sometimes quite radical. There are two constants, however, all my works explore natural structures, and reflect my desire to know how things work.Jon Bogle
Roger Shipley studied at the American School of Art at Fontainebleau, France, and received his MFA from Cranbrook Academy of Art. Roger taught two dimensional art at Lycoming for 43 years. Shipley’s exhibitions include the 49th through 64th Cleveland Museum of Art May Shows; Jewish Museum of Art, NYC; Milwaukee Art Center; San Francisco Museum of Art; Taft Museum, Cincinnati, OH; and a solo show at William Penn Memorial Museum, Harrisburg.
For more information, please visit Shipley's website.
I am interested in expressing myself artistically in a variety of media. I use acrylic Plexiglas, cast bronze, and cast marble for my sculpture. Both the Plexiglas and bronze pieces involve an interrelationship between primary forms and organic flow patterns moving through and across surfaces. My two dimensional work utilizes the female figure and the land and seascape. My current work shows my fascination with the intricacies of nature.Roger Shipley
Lawrence Charles Miller
Andrea McDonough Varner
The definition of the working class is constantly in flux, and can change according to the individual views and experiences of people from a variety of racial, socioeconomic, generational, and geographical sectors. Despite the gilded concept of the “American Dream,” much of the population fails to ever reach their career and life goals. However, happiness, family, and life are still experienced. This exhibition explores and challenges definitions of the working class and opens a dialogue about America’s class structure. Download Waging Life: National Juried Exhibition Call for Entry here
“Bóng lại cái” is a derogatory term for gay men in the Vietnamese language and translates to “feminine shadow” or “shadow of a girl.” In this collection of self-portraits, Bóng Lại Cái, Sanh Brian Tran takes queer identity out of the shadows, creating characters that satirize constructed archetypes of masculinity and femininity.
Sanh Brian Tran was the first person in his immigrant Vietnamese family to join the ranks of the white-collar worker. He broke his first-generation parents’ hearts by quitting his attorney profession in San Francisco to become a self-taught photographer in rural central Pennsylvania. Influenced by his background, he explores themes of identity and class through fashion and taste culture.
For more information, please visit Tran's website.
Aaron Hughes an artist, activists/organizer, teacher, and Iraq War veteran, whose work seeks out poetics, connections, and moments of beauty, in order to construct new narratives, connections and meanings out of personal and collective traumas. He uses these narratives to create projects that attempt to deconstruct systems of dehumanization and oppression. In January of 2003 Hughes was pulled out of undergraduate work at the University of Illinois when he received orders to deploy in support of Operation Iraqi Freedom to Kuwait and Iraq as a truck driver with the 1244th Transportation Company Illinois Army National Guard. Hughes received an MFA in Art Theory and Practice from Northwestern University and works with a variety of art, veteran, and activist organizations and projects including: Iraq Veterans Against the War, Warrior Writers Project, Dirty Canteen, National Veterans Art Museum, Justseeds Artists’ Cooperative, and Center for Artistic Activism.
Aaron Hughes has traveled the world with his ongoing Tea Project, which invites viewers to sit, sip, and reflect over a cup of tea, creating a space to ask questions about one’s relationship to the world: a world that’s filled with dehumanization, war, and destruction; a world that is filled with beauty, love, and humanity. Hughes will be an Artist-In-Residence at Lycoming College for a week in February.
For more information, please visit Hughes' website.
Richard Rinehart is Director and Chief Curator of the Samek Art Gallery & Downtown Art Gallery at Bucknell University. He has served as Digital Media Director & Adjunct Curator at the UC Berkeley Art Museum and as curator at New Langton Arts and for the San Jose Arts Commission. He juried for the Rockefeller Foundation, Rhizome.org, and others. Richard has taught courses on art and new media at UC Berkeley, UC Santa Cruz, the San Francisco Art Institute and elsewhere. He has lead NEA and NEH-funded national research projects on new media, art, preservation, and museums and he is currently working on a book for MIT Press on preserving digital culture. He served on the boards of the Berkeley Center for New Media, New Langton Arts, and the Museum Computer Network.
To submit work for consideration for a Gallery Exhibition:
Contact Rose DiRocco-Hodges, Gallery Director, firstname.lastname@example.org, 570-321-4002