Professors: Hawkes, Jensen, Moses,
Rife
Associate Professors: Feinstein (Chairperson), Hafer,
Lewes
The department offers two programs leading to the
major in English:
Track I - English Major in Literature
This track is designed for students who choose
English as a liberal arts major that pre- pares them for a wide range of career
options; for students who choose English as their subject area for elementary
certification or who wish to earn secondary certification in English; for
students who wish to improve their verbal and analytic ability in preparation
for a specific career, such as technical writing, business, or law; and for
students who intend to pursue graduate study in British or American literature.
A minimum of ten courses is required for Track I. Required courses are ENGL 217;
220; 221; two courses selected from 222, 223, 227; two from 311, 312, 313, 314,
and 315; one from 335 and 336; and two electives from among courses numbered 215
and above.
Students who wish to earn secondary teacher certification must complete a
minimum of twelve courses in English. Required courses are ENGL 217; 220; 221;
335; 336; 338; two courses from 222, 223, 227; three courses from 311, 312, 313,
314, and 315; and one elective from among courses numbered 215 and above.
Required courses outside English are EDUC 200, 446, 447, and 449; PSY 110 and
138; and THEA 100.
Students who intend to pursue graduate study in British or American literature
should complete the twelve English courses specified for secondary certification
and, as part of that sequence, take ENGL 449, Advanced Criticism, as their
English elective.
Track II - English Major in Creative Writing
This track is designed for students who aspire to
careers as professional writers, as editors, and as publishers; for students who
plan to continue studies in an M.F.A. or M.A. program; or for students who would
like to discover their creative potential while pursuing a fundamental liberal
arts education.
A minimum of ten courses is required for Track II. Required courses are ENGL
240; two courses selected from 220, 221, 222, 223, 225, and 227; two from 311,
312, 313, 314 and 315; one from 331 or 332; one from 335 and 336; two from 341,
342, 441, and 442 (note prerequisites); and one from 411 or 412.
Students who wish to earn secondary teacher certification must complete a
minimum of twelve courses in English. Required courses are ENGL 240, 335, 336,
338; two courses selected from 220, 221, 222, 223, 225, and 227; two from 311,
312, 313, 314, and 315; one from 331 and 332; two from 341, 342, 441, 442 (note
prerequisites); and one from 411 and 412; ENGL 217 recommended. Required courses
outside English are EDUC 200, 446, 447, and 449; PSY 110 and 138; and THEA 100.
The following course satisfies the cultural diversity requirement: ENGL 334. The
following courses, when scheduled as W courses, count toward the writing
intensive requirement: ENGL 225, 311, 331, 334, 335, 336, and 420.
Minors
The department offers two minors in English:
Literature: Five courses in
literature at the 200 level or above, at least three of which must be numbered
300 or above.
Writing: Five courses, four of which are chosen
from ENGL 217, 240, 321, 322, and 338; plus one writing-intensive course in
literature at the 300 level.
105
INTRODUCTION TO COLLEGE WRITING
A review of grammar and an introduction to
college-level reading and writing. One unit grade of "P" will be
assigned when the student has successfully completed all of the work in the
course. Required of, and limited to, those who have not been exempted from ENGL
105.
106
COMPOSITION
Extensive practice in analytical writing. Special emphasis
on developing the composing skills needed to articulate and defend a position in
various situations requiring the use of written English. Credit
may not be earned for both 106 and 107.
107
HONORS COMPOSITION
Extensive practice in analytical writing. Special emphasis
on developing the writing skills of students who have the potential to benefit
from advanced work. Placement by examination only.
Credit may not be earned for both 106 and 107.
215
INTRODUCTION TO LITERARY
INTERPRETATION
Practice in the methods of close reading and formal
analysis. Identification of primary elements and structures of literary
representation. Literature chosen for study will vary. Prerequisite:
ENGL 106 or107, or consent of instructor.
217
CRITICAL WRITING SEMINAR
An introduction to writing critically about literary
texts. Workshop setting offers intensive practice in the writing and critiquing
of papers. Designed for beginning students of literature. Prerequisite:
ENGL 106 or 107, or consent of instructor. Not open to juniors or seniors except
for newly declared majors or with consent of instructor.
220
BRITISH LITERATURE I
A survey of literary forms, dominate ideas, and
major authors from the Anglo-Saxon period through the 18th century. Emphasis on
such writers as Chaucer, Shakespeare, Donne, Milton, Swift, Pope, and Johnson;
representative works from Beowulf to Burney’s Evelina.
Prerequisite: ENGL 106 or 107, or consent of instructor.
221
BRITISH LITERATURE II
Literary movements and authors from the beginnings of
Romanticism to the end of the 19th century. Particular emphasis on such writers
as Wordsworth, Shelley, Keats, Tennyson, Browning, Carlyle, Arnold, Hardy, and
Yeats. Prerequisite: ENGL 106 or 107, or consent of
instructor.
222
AMERICAN LITERATURE I
Survey of American literature from the beginning to 1865,
with major emphasis on the writers of the Romantic period: Poe, Emerson,
Thoreau, Hawthorne, Melville, Dickinson, and Whitman. Prerequisite:
ENGL 106 or 107, or consent of instructor.
223
AMERICAN LITERATURE II
Survey of American literature from 1865 to1945 ,
emphasizing such authors as Twain, James, Crane, Hemingway, Faulkner, Frost,
Eliot, Stevens, O’Neill, and Williams. Prerequisite:
ENGL 106 or 107, or consent of instructor.
225
CLASSICAL LITERATURE
A study, in translation, of Greek and Roman works that
have influenced Western writers. Literary forms studied include epic, drama,
satire, and love poetry. Writers studied include Homer, Aeschylus, Sophocles,
Euripides, Virgil, Juvenal, Horace, Lucretius, and Ovid. Prerequisite:
ENGL 106 or 107, or consent of instructor.
227
AMERICAN LITERATURE III
Survey of American literature from 1945 to the present,
focusing on such writers as Bellow, O’Connor, Updike, Roth, Morrison, Bishop,
Lowell, Ginsberg, and Plath. Prerequisite: ENGL 106
or 107, or consent of instructor.
240
INTRODUCTION TO CREATIVE WRITING
Workshop discussions, structured exercises, and readings
in contemporary literature to provide practice and basic instruction in the
writing and evaluation of poetry and fiction. Prerequisite:
ENGL 106 or 107, or consent of instructor.
311
MEDIEVAL LITERATURE
Readings in Old and Middle English poetry and prose from
Bede’s Ecclesiastical History to Malory’s Arthurian romance. Study of
lyric, narrative, drama, and romance with emphasis on the cultural context from
which these forms emerge. Prerequisite: ENGL 106 or
107, or consent of instructor. Alternate years.
312
RENAISSANCE LITERATURE
An examination of themes and literary forms of the
Renaissance. Authors studied will include Donne, Marlowe, More, Shakespeare,
Sidney, Spenser, and Surrey. Prerequisite: ENGL 106
or 107, or consent of instructor. Alternate years.
313
RESTORATION AND 18TH-CENTURY
LITERATURE
Consideration of selected themes, writers, or modes of
Restoration and 18th-century literature (1660-1800) with emphasis on the social,
political, and intellectual life of that era. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
314
ROMANTIC LITERATURE
Concentrated study in the writers, texts, and themes of
the Romantic period (1789-1832) with emphasis on the social, political, and
intellectual life of that era. Prerequisite: ENGL
106 or 107, or consent of instructor. Alternate years.
315
VICTORIAN LITERATURE
Concentrated study in the writers, texts, and themes of
the Victorian period (1832-1901) with emphasis on the social, political, and
intellectual life of that era. Prerequisite: ENGL
106 or 107, or consent of instructor. Alternate years.
321
ADVANCED WRITING: TECHNICAL
AND PROFESSIONAL
A course providing practice in report and technical
writing, proposals, and other areas where competence will be expected in the
business and scientific worlds. Prerequisite: ENGL
106 or 107, or consent of instructor. Alternate years.
322
ADVANCED WRITING: THE
CREATIVE ESSAY
A course in which students from all disciplines
learn to explore and define themselves through the essay, a form used to express
the universal through the particular and the personal. Readings will include
essayists from Montaigne to Gould.
Prerequisite: ENGL 106 or 107, or consent of instructor. Alternate years.
331
20TH-CENTURY FICTION
Examination of the novels and short fiction of such major
writers as Conrad, Woolf, Joyce, Faulkner, Fowles, and Nabokov, with special
emphasis on the relationship of their works to concepts of modernism. Prerequisite:
ENGL 106 or 107, or consent of instructor.
332
20TH-CENTURY POETRY
Studies in the themes and visions of modern and
contemporary poets including Yeats,
Frost, Stevens, Williams, Pound, Moore, Eliot, Hughes, Roethke, Bishop,
Berryman, Lowell, Larkin, Ginsberg, Sexton, Rich, Plath, Baraka, Heaney, and
Dove. Prerequisite: ENGL 106 or 107, or consent of
instructor.
333
THE NOVEL
An examination primarily of British and American works
from the 18th century to the present, focusing on the novel’s ability—since
its explosive inception—to redefine its own boundaries. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
334
WOMEN AND LITERATURE
An examination—literary, social, and historical—of
literature by women representing diverse cultures. Each course will examine a
particular theme significant to women writers from more than one cultural
background. Prerequisite: ENGL 106 or 107, or
consent of instructor. Alternate years.
335
CHAUCER
Concentrated study of The Canterbury Tales with
emphasis on the variety of medieval narrative genres represented. Chaucer’s Tales
will be read in Middle English. The course includes a brief study of language
development to Chaucer, a study of Middle English sufficient to comprehend
Chaucer, and an examination of the cultural traditions that inform Chaucer’s
works. Prerequisites: ENGL 106 or 107 or consent of
instructor. Alternate years.
336
SHAKESPEARE
A study of representative plays in the context of
Shakespeare’s life and times. Prerequisite: ENGL
106 or 107, or consent of instructor. Alternate years.
338
LINGUISTICS
An intensive look at the English language, focusing on
three grammatical systems (traditional, structural, transformational) to
identify their strengths and weaknesses. Attention is also given to larger
issues, including language change, the politics of language, the creation of
meaning, language acquisition, and dialects. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
341
POETRY WORKSHOP I
An intermediate workshop focusing on the writing
of poetry and methods of analysis. Prerequisite: Grade of B or better in ENGL
240 or consent of instructor.
342
FICTION WORKSHOP I
An intermediate course in the writing of short fiction in
a workshop environment, where the student is trained to hear language at
work. Emphasis on characterization and story. Prerequisite:
Grade of B or better in ENGL 240 or consent of instructor.
411
FORM AND THEORY: POETRY
Principles of meter, rhyme, formal structure, and
traditional and contemporary poetic forms will be studied through readings,
discussion, and exercises. Designed to enhance skills in both practical
criticism and in creative writing, this course will pay particular attention to
theories concerned with the relationship between form and content in poetry. Prerequisite:
ENGL 341 or consent of instructor. Alternate years.
412
FORM AND THEORY: FICTION
A course that examines philosophical and aesthetic
theories of fiction, and the resulting fiction based on those theories. Authors
will most likely include Aristotle, Calvino, Gardner, Gass, and Nabokov. Prerequisite:
ENGL 342 or consent of instructor. Alternate years.
420
SELECTED WRITERS
An intensive study of no more than three writers,
selected on the basis of student and faculty interest. Possible combinations
include: Frost, Hemingway, and Faulkner; O’Connor, Welty, and Porter; Spenser
and Milton; Hawthorne, Melville, and Dickens; Woolf, Forster, and Lawrence;
Joyce and Yeats. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
421
TOPICS IN LITERATURE
Examination of a literary theme, idea, or movement as it
appears in one or more types of literature and as it cuts across various epochs.
Possible topics include: American Novelists and Poets of the Jazz Age and
Depression; The Bible and Literature; Gothic Tradition in American Literature;
Mystery and Detective Fiction; The Hero in Literature. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
441
POETRY WORKSHOP II
An advanced workshop in the writing of poetry. Students
will receive intensive anal- ysis of their own work and acquire experience in
evaluating the work of their peers. Prerequisite:
ENGL 341.
442
FICTION WORKSHOP II
An advanced course in the writing of short fiction.
Emphasis on the complexities of voice and tone. The student will be encouraged
to develop and control his or her individual style and produce publishable
fiction. Prerequisite: ENGL 342.
449
ADVANCED CRITICISM
Reading and discussion in the theory and history of
criticism. Examination of both traditional and contemporary ideas about the
value and nature of literary expression and its place in human culture
generally. Work in the course includes practical as well as theoretical use of
the ideas and methods of critical inquiry. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
470-479
INTERNSHIP (See index)
The department provides internships in editing,
legal work, publishing, and technical writing.
N80-N89
INDEPENDENT STUDY (See index)
Recent studies include the role of Pennsylvania
in the fiction of John O’Hara; the changing image of women in American art and
literature (1890-1945); the hard-boiled detective novel; contemporary women
writers; and Milton’s use of the Bible in Paradise Lost.
490-491
INDEPENDENT STUDY FOR DEPARTMENTAL
HONORS (See index)
Recent projects include "The Function of the
Past in the Fiction of William Faulkner" and "Illusion, Order, and Art
in the Novels of Virginia Woolf."
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