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| ENGLISH (ENGL) |
Professors: Hawkes,
Jensen, Moses, Rife
Associate Professors: Feinstein,
Hafer, Lewes (Chairperson)
The department offers two programs
leading to the major in English:
Track I - English Major in Literature
This track is designed for students
who choose English as a liberal arts major that pre- pares them for
a wide range of career options; for students who choose English as
their subject area for elementary certification or who wish to earn
secondary certification in English; for students who wish to improve
their verbal and analytic ability in preparation for a specific
career, such as technical writing, business, or law; and for
students who intend to pursue graduate study in British or American
literature.
A minimum of ten courses is required
for Track I. Required courses are ENGL 217; 220; 221; two courses
from 222, 223, 227; two courses selected from ENGL 311, 312, 313,
314, and 315; one from ENGL 335 and 336; and two electives from
among courses numbered 215 and above.
Students who wish to earn secondary
teacher certification must complete a minimum of twelve courses in
English. Required courses in English are 217; 220; 221; two courses
from 222, 223, 227; 335; 336; 338; three courses selected from 311,
312, 313, 314, and 315; and one elective from among courses numbered
215 and above. Required courses outside English are EDUC 200, 446,
447, and 449; PSY 110 and 138; and THEA 100.
Students who intend to pursue
graduate study in British or American literature should complete the
twelve English courses specified for secondary certification and, as
part of that sequence, take ENGL 449, Advanced Criticism, as their
English elective.
Track II - English Major in Creative
Writing
This track is designed for students
who aspire to careers as professional writers, as editors, and as
publishers; for students who plan to continue studies in an M.F.A.
or M.A. program; or for students who would like to discover their
creative potential while pursuing a fundamental liberal arts
education.
A minimum of ten courses is required
for Track II. Required courses are ENGL 240; two courses selected
from ENGL 220, 221, 222, 223, 225, and 227; two from ENGL 311, 312,
313, 314 and 315; one from ENGL 331 or 332; one from ENGL 335 and
336; two from ENGL 341, 342, 441, and 442 (note prerequisites); and
one from ENGL 411 or 412.
Students who wish to earn secondary
teacher certification must complete a minimum of twelve courses in
English. Required courses are ENGL 240; two courses selected from
ENGL 220, 221, 222, 223, 225, and 227; two from 311, 312, 313, 314,
and 315; one from 331 and 332; 335, 336, 338; two from 341, 342,
441, 442 and one from 411 and 412. Required courses outside English
are EDUC 200, 446, 447, and 449; PSY 110 and 138; and THEA 100.
The following course has been
approved to be offered as a cultural diversity course: ENGL 334.
Students must check semester class schedules to determine which
courses are offered as "D" courses for that semester.
The following courses have been
approved to be offered as writing intensive courses and may be
offered as such: ENGL 225, 311, 331, 334, 335, 336, 420. Students
must check semester class schedules to determine which courses are
offered as "W" courses for that semester.
Minors
The department offers two minors in
English:
Literature: Five
courses in literature at the 200 level or above, at least three of
which must be
numbered 300 or above.
Writing: Five
courses, four of which are chosen from ENGL 217, 240, 321, 322, and
338; plus one writing-intensive course in literature at the 300
level.
105
INTRODUCTION TO COLLEGE WRITING
A review of grammar and an
introduction to college-level reading and writing. One unit grade of
"P" will be assigned when the student has successfully
completed all of the work in the course. Required of, and limited
to, those who have not been exempted from ENGL 105.
106
COMPOSITION
Extensive practice in analytical writing.
Special emphasis on developing the composing skills needed to
articulate and defend a position in various situations requiring the
use of written English. Credit may not
be earned for both 106 and 107.
107
HONORS COMPOSITION
Extensive practice in analytical writing.
Special emphasis on developing the writing skills of students who
have the potential to benefit from advanced work. Placement
by examination only. Credit may not be earned for both 106 and 107.
215
INTRODUCTION TO LITERARY
INTERPRETATION
Practice in the methods of close reading and
formal analysis. Identification of primary elements and structures
of literary representation. Literature chosen for study will vary. Prerequisite:
ENGL 106 or107, or consent of instructor.
217
CRITICAL WRITING SEMINAR
Brief introduction to criticism as a
discipline, followed by workshop training in writing critical papers
on the major literary genres. Prerequisite:
Grade of C + or better in ENGL 106 or 107, or consent of instructor.
220
BRITISH LITERATURE I
Literary forms, themes, and authors from the
Anglo-Saxon period through the 18th century. Emphasis on such
writers as Chaucer, Spenser, Shakespeare, Milton, Swift, Pope, and
Johnson; representative works from Beowulf to Burney’s Evelina.
Prerequisite: ENGL 106 or 107, or
consent of instructor.
221
BRITISH LITERATURE II
Literary movements and authors from the
beginnings of Romanticism to the end of the 19th century. Particular
emphasis on such writers as Wordsworth, Shelley, Keats, Tennyson,
Browning, Carlyle, Arnold, Hardy, and Yeats. Prerequisite:
ENGL 106 or 107, or consent of instructor.
222
AMERICAN LITERATURE I
Survey of American literature from the
beginning to 1865, with major emphasis on the writers of the
Romantic period: Poe, Emerson, Thoreau, Hawthorne, Melville,
Dickinson, and Whitman. Prerequisite:
ENGL 106 or 107, or consent of instructor.
223
AMERICAN LITERATURE II
Survey of American literature from 1865 to1945
, emphasizing such authors as Twain, James, Crane, Hemingway,
Faulkner, Frost, Eliot, Stevens, O’Neill, and Williams. Prerequisite:
ENGL 106 or 107, or consent of instructor.
225
CLASSICAL LITERATURE
A study, in translation, of Greek and Roman
works that have influenced Western writers. Literary forms studied
include epic, drama, satire, and love poetry. Writers studied
include Homer, Aeschylus, Sophocles, Euripides, Virgil, Juvenal,
Horace, Lucretius, and Ovid. Prerequisite:
ENGL 106 or 107, or consent of instructor.
227
AMERICAN LITERATURE III
Survey of American literature from 1945 to the
present, focusing on such writers as Bellow, O’Connor, Updike,
Roth, Morrison, Bishop, Lowell, Ginsberg, and Plath. Prerequisite:
ENGL 106 or 107, or consent of instructor.
240
INTRODUCTION TO CREATIVE WRITING
Workshop discussions, structured exercises,
and readings in contemporary literature to provide practice and
basic instruction in the writing and evaluation of poetry and
fiction. Prerequisite: ENGL 106 or 107,
or consent of instructor.
311
MEDIEVAL LITERATURE
Readings in Old and Middle English poetry and
prose from Bede’s Ecclesiastical History to Malory’s
Arthurian romance. Study of lyric, narrative, drama, and romance
with emphasis on the cultural context from which these forms emerge.
Prerequisite: ENGL 106 or 107, or
consent of instructor. Alternate years.
312
RENAISSANCE LITERATURE
An examination of themes and literary forms of
the Renaissance. Authors studied will include Donne, Marlowe, More,
Shakespeare, Sidney, Spenser, and Surrey. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
313
RESTORATION AND 18TH-CENTURY
LITERATURE
Consideration of selected themes, writers, or
modes of Restoration and 18th-century literature (1660-1800) with
emphasis on the social, political, and intellectual life of that
era. Prerequisite: ENGL 106 or 107, or
consent of instructor. Alternate years.
314
ROMANTIC LITERATURE
Concentrated study in the writers, texts, and
themes of the Romantic period (1789-1832) with emphasis on the
social, political, and intellectual life of that era. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
315
VICTORIAN LITERATURE
Concentrated study in the writers, texts, and
themes of the Victorian period (1832-1901) with emphasis on the
social, political, and intellectual life of that era. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
321
ADVANCED WRITING: TECHNICAL
AND PROFESSIONAL
A course providing practice in report and
technical writing, proposals, and other areas where competence will
be expected in the business and scientific worlds. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
322
ADVANCED WRITING: THE
CREATIVE ESSAY
A course in which students from all
disciplines learn to explore and define themselves through the
essay, a form used to express the universal through the particular
and the personal. Readings will include essayists from Montaigne to
Gould. Prerequisite: Grade of C+ or
better in ENGL 106 or 107, or consent of instructor. Alternate
years.
331
20TH-CENTURY FICTION
Examination of the novels and short fiction of
such major writers as Conrad, Woolf, Joyce, Faulkner, Fowles, and
Nabokov, with special emphasis on the relationship of their works to
concepts of modernism. Prerequisite:
ENGL 106 or 107, or consent of instructor.
332
20TH-CENTURY POETRY
Studies in the themes and visions of
modern and contemporary poets including Yeats,
Frost, Stevens, Williams, Pound, Moore, Eliot, Hughes, Roethke,
Bishop, Berryman, Lowell, Larkin, Ginsberg, Sexton, Rich, Plath,
Baraka, Heaney, and Dove. Prerequisite:
ENGL 106 or 107, or consent of instructor.
333
THE NOVEL
An examination primarily of British and
American works from the 18th century to the present, focusing on the
novel’s ability—since its explosive inception—to redefine its
own boundaries. Prerequisite: ENGL 106
or 107, or consent of instructor. Alternate years.
334
WOMEN IN LITERATURE
An examination—literary, social, and
historical—of literature by women representing diverse cultures.
Each course will examine a particular theme significant to women
writers from more than one cultural background. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
335
CHAUCER
A study of the major works with
emphasis on The Canterbury Tales and Troilus and Criseyde.
Some attention to language study and to the traditions out of which
Chaucer’s works arose. Prerequisite: ENGL 106 or 107, or
consent of instructor. Alternate years.
336
SHAKESPEARE
A study of representative plays in the context
of Shakespeare’s life and times. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
338
LINGUISTICS
An intensive look at the English language,
focusing on three grammatical systems (traditional, structural,
transformational) to identify their strengths and weaknesses.
Attention is also given to larger issues, including language change,
the politics of language, the creation of meaning, language
acquisition, and dialects. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
341
POETRY WORKSHOP I
An intermediate workshop focusing on
the writing of poetry and methods of analysis. Prerequisite:
Grade of B or better in ENGL 240 or consent of instructor.
342
FICTION WORKSHOP I
An intermediate course in the writing of short
fiction in a workshop environment, where the student is trained to hear
language at work. Emphasis on characterization and story. Prerequisite:
Grade of B or better in ENGL 240 or consent of instructor.
411
FORM AND THEORY: POETRY
Principles of meter, rhyme, formal structure,
and traditional and contemporary poetic forms will be studied
through readings, discussion, and exercises. Designed to enhance
skills in both practical criticism and in creative writing, this
course will pay particular attention to theories concerned with the
relationship between form and content in poetry. Prerequisite:
ENGL 341 or consent of instructor. Alternate years.
412
FORM AND THEORY: FICTION
A course that examines philosophical and
aesthetic theories of fiction, and the resulting fiction based on
those theories. Authors will most likely include Aristotle, Calvino,
Gardner, Gass, and Nabokov. Prerequisite:
ENGL 342 or consent of instructor. Alternate years.
420
SELECTED WRITERS
An intensive study of no more than
three writers, selected on the basis of student and faculty
interest. Possible combinations include: Frost, Hemingway, and
Faulkner; O’Connor, Welty, and Porter; Spenser and Milton;
Hawthorne, Melville, and Dickens; Woolf, Forster, and Lawrence;
Joyce and Yeats. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
421
TOPICS IN LITERATURE
Examination of a literary theme, idea, or
movement as it appears in one or more types of literature and as it
cuts across various epochs. Possible topics include: American
Novelists and Poets of the Jazz Age and Depression; The Bible and
Literature; Gothic Tradition in American Literature; Mystery and
Detective Fiction; The Hero in Literature. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
441
POETRY WORKSHOP II
An advanced workshop in the writing of poetry.
Students will receive intensive anal- ysis of their own work and
acquire experience in evaluating the work of their peers. Prerequisite:
ENGL 341.
442
FICTION WORKSHOP II
An advanced course in the writing of short
fiction. Emphasis on the complexities of voice and tone. The student
will be encouraged to develop and control his or her individual
style and produce publishable fiction. Prerequisite:
ENGL 342.
449
ADVANCED CRITICISM
Reading and discussion in the theory and
history of criticism. Examination of both traditional and
contemporary ideas about the value and nature of literary expression
and its place in human culture generally. Work in the course
includes practical as well as theoretical use of the ideas and
methods of critical inquiry. Prerequisite:
ENGL 106 or 107, or consent of instructor. Alternate years.
470-479
INTERNSHIP (See index)
The department provides internships
in editing, legal work, publishing, and technical writing.
N80-N89
INDEPENDENT STUDY (See index)
Recent studies include the role of
Pennsylvania in the fiction of John O’Hara; the changing image of
women in American art and literature (1890-1945); the hard-boiled
detective novel; contemporary women writers; and Milton’s use of
the Bible in Paradise Lost.
490-491
INDEPENDENT STUDY FOR DEPARTMENTAL
HONORS (See index)
Recent projects include "The
Function of the Past in the Fiction of William Faulkner" and
"Illusion, Order, and Art in the Novels of Virginia Woolf."
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